Warner Bros. To Release Deluxe Uber-Editions of Library Titles


For those completist folks out there, Warner Bros. announced they will be repackaging some not-so-old classics as Diamond Luxe Editions.  These Blu-ray editions boast swanky new slim-case packaging, new bonus features and a list price of $24.98.  Some of the films slated for the packaging makeover are The Green Mile, Ben-Hur, Natural Born Killers, Forrest Gump and Gremlins.

The titles will begin hitting stores on September 30th.  Here’s a breakdown of the bonus features:

The Green Mile: 15th Anniversary Edition

  • Walking the Mile (New Extended Version): High-def documentary feature with Tom Hanks, Frank Darabont, Stephen King, and Mr. Jingles, the mouse
  • Audio Commentary by Frank Darabont
  • The Teaser Trailer: A Case Study
  • Walking the Mile: The Making of The Green Mile
  • Miracles and Mystery – Creating the Green Mile:
    • Stephen King: Storyteller
    • The Art of Adaptation
    • Acting on the Mile
    • Designing the Mile
    • The Magic of the Mile
    • The Tail of Mr. Jingles
  • Deleted Scenes with Optional Commentary by Frank Darabont
  • Michael Clarke Duncan’s Screen Test
  • Tom Hank’s Makeup Test
  • Teaser
  • Trailer

Natural Born Killers: 20th Anniversary Edition

  • Natural Born Killers: Method In The Madness (New)
  • Audio Commentaries by Oliver Stone (Theatrical version and Director’s Cut)
  • Introduction by Oliver Stone (2009)
  • Natural Born Killers Evolution: How Would It All Go Down Now?
  • Chaos Rising: The Storm Around Natural Born Killers
  • “The Charlie Rose Show”
  • Alternate Ending With Optional Commentary by Oliver Stone
  • Alternate Ending
  • Deleted Scenes with Optional Commentary by Oliver Stone
  • Trailer

Forrest Gump: 20th Anniversary Edition

  • Greenbow Diary
  • The Art of Screenplay Adaptation
  • Little Forrest
  • An Evening with Forrest Gump
  • Easter Egg: Groom on Gump
  • The Make-up of Forrest Gump
  • Through the Ears of Forrest Gump – Sound Design
  • Building The World of Forrest Gump
  • Seeing is Believing – The Visual Effects of Forrest Gump
  • Screen Tests
  • Theatrical Trailer
  • Remember Trailer

Gremlins: 30th Anniversary Edition

  • From Gizmo to Gremlins: Creating the Creatures (New) – Special effects wizard Chris Walas plus the filmmakers and cast guide us through the art of creating Gremlins, Gizmo and Stripe, how the puppets worked (or didn’t!) and how their voices came to be.
  • Cute. Clever. Mischievous. Intelligent. Dangerous: Making Gremlins (New) – Steven Spielberg tells how he found the screenplay for Gremlins and why it was perfect for his then-new company Amblin Entertainment. Dante, Marshall and Finnell also participate.
  • Motion Comic of the 1984 Book “Gremlins: The Gift of the Mogwai” (New)
  • Motion Comic of the 1984 Book “The Last Gremlin” (New)
  • Hangin’ With Hoyt on the Set of Gremlins (New)

Ben Hur: 55th Anniversary Edition

  • Commentary by film historian T. Gene Hatcher and Charlton Heston
  • Feature Length Documentary: Charlton Heston & Ben-Hur: A Personal Journey – Retrospective on the Ben-Hur star, written and directed by his son Fraser C. Heston, featuring never-before-available images and footage from the Heston family archives
  • The 1925 Silent Version: Thames Television
  • Restoration with Stereophonic Orchestral Score by Carl Davis
  • The Epic That Changed Cinema
  • The Making of an Epic
  • A Journey Through Pictures: Audiovisual recreation via stills, storyboards, sketches, music and dialogue
  • Screen Tests
  • Highlights from the 1960 Academy Awards® Telecast
  • Newsreels

30 Years Of ‘Gremlins’: How Steven Spielberg Ushered In The Era Of PG-13 Blockbuster Entertainment: IndieWire

Gremlins_film_h2mUpon recent viewing of Gremlins, I was reminded of the glory of ’80s “family” films that did not shy away from violence and gore. Let’s be honest, life can get downright scary and to have films reflect that sentiment allegorically not only allows the young audience member solace in knowing they are not alone in the mess we call life, but in teaching where one can recognize familiar struggles they can also make light of them.

At the time of the release, while enjoying box office success the film did receive its share of criticism at the breadth of violence. “Vincent Canby in the New York Times asked, “will children cheer when Billy blows up the Kingston Falls movie theater, where the gremlins, now resembling an average kiddie matinee crowd, are exuberantly responding to ‘Snow White and the Seven Dwarfs’?”

Due to these criticisms and the growing dialogue about violence in film, Spielberg aligned with MPAA head Jack Valenti and pushed for a tougher rating system. While it can be seen easily as a PR move on behalf of Spielberg, what they came up with was a new rating between PG and R, one in wide use ever since, PG-13.

Ben Brock writes: “Two months later, “Red Dawn” became the first movie to be released as a PG-13 (nonsensically, “Gremlins” didn’t even get re-rated: you could still see it playing as a PG in August of that year, next to the new PG-13s).

PG-13 was a rating that allowed more latitude than the PG—which now essentially denoted a kid’s movie—but didn’t put the film off-limits to large audiences the way an R did. And it had been created not by outraged moral guardians, but by the filmmaker of the moment, the one who caused the trouble in the first place….

It was also the end of an era. Suddenly, making weird, kid-friendly, kid-frightening, adult-intriguing films wasn’t really possible; the arrival of the new rating had a chilling effect, and a kind of film that had been blossoming in the ‘80s suddenly died, becoming ghettoized as “for kids.” In 1982, Don Bluth’s uncanny, unexpected “The Secret of NIMH” had been a box-office success and a critical darling; Bluth ended up working with Spielberg on the much tamer and less interesting “An American Tail” a few years later. The same year as “NIMH,” Jim Henson’s “The Dark Crystal” was a weird, eerie all-ages hit; by the time the follow-up “Labyrinth” came around in 1986 no-one was interested, even with David Bowie’s crotch doing its best, and the film was a financial failure. “The Never-Ending Story” appeared in theaters a couple of months after “Gremlins” and was met with confusion. Disney panicked and demanded extensive cuts to their “Black Cauldron” project, which would have been their darkest ever film; when it came out in 1985, the censored version was a box-office flop that left behind an intriguing suggestion of a much better, forever-lost piece of work.

Other horror, freed from the burden of worrying about the kids, could be much nastier (although there’s also an argument that since PG-13 debuted, more mature films have been watered down to earn the certification). Followers of “Gremlins” like “Critters” are more brutal but lack the keen edge of the bizarre. Great comedy-horror continued to be made throughout the ‘80s—the decade that brought you “An American Werewolf in London” and “Evil Dead 2”—but it was very much for adults.”

Read more of Brock’s excellent article here.